Book as Communicator: Life in the Folds, Carlos Amorales

‘Life in the Folds’ is an installation that seems to be filled with objects from an alien culture. Comprised of video, sculptural objects, works on paper and a publication, the common thread that links these pieces are strange glyphs, which appear to be a form of language.

The installation seems to be a hybrid between a traditional contemporary art exhibition and a museological display, as if we are seeing artefacts from a very different culture than our own.

The glyphs are represented in sculpture, as works on paper and in a newspaper-like publication. Without the newspaper, we might assume that the shapes are pictorial, but the conventions of the publication (from its structure, to its materials and layout), would lead us to believe that they are characters and a form of language.

An artwork like this needs time to sink in, and the pile of publications lying at the entrance to the gallery may be an invitation for us to sit down, paper in hand and immerse ourselves in the work.

Book as Domestic Object: Bread Encyclopedia, Maria Lai

Maria Lai, Bead Encyclopaedia. Artwork detail.
Maria Lai, Bread Encyclopaedia. Artwork detail.

If Lai’s work weren’t safely behind glass, one might expect the aroma of baking to fill the gallery. ‘Bread Encyclopedia’, as the name would suggest, is comprised of a series of books, bound in bread. Each volume is lettered and tied with a string, as if ready to carry. And although the work itself dates back to 2008, the books look freshly made.

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Book as Post-Consumer Product: Studio (Supermarket), Hassan Sharif

The scene is like some strange mini-market stacked with objects, that through blurred vision at least, could resemble familiar, everyday goods. Shelves are filled with wrapped packages, bundled objects, rolls tied with strings. Among them are mini footballs, old containers, parts of machinery and even a book.

Hassan Sharif, Studio (Supermarket). Image: © Chris Gibson, 2017

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Book as Habitat: Conversations with Jorge Luis Borges, Carol Bove

A couple of years back I came across this beautiful artwork by Brooklyn-based artist Carol Bove as part of an exhibition at the Henry Moore Institute. Bove’s artwork was presented alongside that of Italian architect/sculptor Carlo Scarpa (who’s garden was home to Lee Mingwei’s artwork When Beauty Visits).

Carol Bove - Conversations with Jorge Luis Borges
Carol Bove, ‘Conversations with Jorge Luis Borges’. Image © Chris Gibson, 2017

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Book as Relic: Janus Code, Michele Ciacciofera

Michele Ciacciofera’s installation Janus Code (2016-17) is a collection of artefacts that resembles a dreamlike museum exhibit. Apart from the occasional concrete items (a butterfly, seeds, a stone), many are handmade, created with unexpected materials to resemble familiar-looking objects and displayed like anthropological specimens.

Michele Ciacciofera - Janus Code
Michele Ciacciofera – Janus Code. Image © Chris Gibson, 2017

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Book as Anchor: Dapunta Hyang – Transmission of Knowledge, Zai Kuning

A structure floats; the majestic hull of some dream ship. It’s huge, but nearing on the intangible. This is not quite the ghost-like art of Do-ho Suh’s, but evokes a similar feeling; the concrete-turned-transparent. This fragile tableaux is a combination of simple elements brought together to create a striking work.

Zai Kuning - Dapunta Hyang
Installation View. Image © Chris Gibson, 2017

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