‘Life in the Folds’ is an installation that seems to be filled with objects from an alien culture. Comprised of video, sculptural objects, works on paper and a publication, the common thread that links these pieces are strange glyphs, which appear to be a form of language.Read More »Book as Communicator: Life in the Folds, Carlos Amorales
The British Library is a large and colourful artwork by Yinka Shonibare which comprises a huge collection of specially bound reclaimed books, covered in vibrant Dutchwax fabric and embossed in gold with the names of notable British figures who were born outside the UK or have non-British ancestry.
The volume of books and the number of well-known names is surprising, drawing our attention to the rich and expansive impact migrants have had on British daily life and culture, a debt that sometimes seems overlooked to me.Read More »Book as Biography: The British Library, Yinka Shonibare
The artist Raymond Hains plays an interesting game with us in his artwork Valises; an installation which comprises a utilitarian metal shelving system stacked with box files, metal Airbus cases and plastic packing crates filled with books and index cards.
The index cards that are visible read like an essay on a particular topic – could they be notes for a presentation (or references for a thesis) and the books themselves be the source material? The box files, which are closed to us, may contain papers of a manuscript and the metal cases could be full of real objects; artefacts to be presented.Read More »Book as Bibliography: Valises, Raymond Hains
Michele Ciacciofera’s installation Janus Code (2016-17) is a collection of artefacts that resembles a dreamlike museum exhibit. Apart from the occasional concrete items (a butterfly, seeds, a stone), many are handmade, created with unexpected materials to resemble familiar-looking objects and displayed like anthropological specimens.
The motif of the book reoccurs again and again; we see book-like sculptures wrapped in wool, page-like panels of a dyptich and open volumes containing seemingly-symbolic relics.Read More »Book as Relic: Janus Code, Michele Ciacciofera
Michel Blazy‘s Aqua Alta was displayed at the 2017 Venice Biennale. At first sight the work looks like a neat stack of pristine books. On closer inspection they better resemble catalogues or fashion magazines. In actual fact they are anonymous leaflets, featuring scenes which appear to relate to Venice. Looking even closer one can see ridges and channels cut into the paper, like a small landscape of canyons and valleys.
The edges of the pages are blackened and warped. Drops of water fall from height, gouging the paper with each impact and breaking it down. It’s not clear how long these papers have been subjected to the drops of water, but the cumulative result is surprising. There is something unsettling in the contrast between the vibrant scenes of Venice and the soiled, slowly decaying paper, as if these are two spheres of life that shouldn’t really meet.Read More »Book as Timekeeper: Aqua Alta, Michel Blazy
A structure floats; the majestic hull of some dream ship. It’s huge, but nearing on the intangible. This is not quite the ghost-like art of Do-ho Suh’s, but evokes a similar feeling; the concrete-turned-transparent. This fragile tableaux is a combination of simple elements brought together to create a striking work.
Weighing this structure down are stones, tied with red strings. At the edges are piles of books (sealed, made untouchable, waterproofed with wax), also with red strings. Were they anchors too?Read More »Book as Anchor: Dapunta Hyang – Transmission of Knowledge, Zai Kuning